{"id":2967,"date":"2013-02-21T12:42:57","date_gmt":"2013-02-21T11:42:57","guid":{"rendered":"http:\/\/detfynskekunstakademi.dk\/?page_id=2967"},"modified":"2025-01-16T11:57:59","modified_gmt":"2025-01-16T10:57:59","slug":"workshops","status":"publish","type":"page","link":"https:\/\/detfynskekunstakademi.dk\/en\/about-the-study\/workshops\/","title":{"rendered":"Workshops"},"content":{"rendered":"

As part of the study programme, Funen Art Academy offers a number of workshops and courses throughout the year. These are run by the school\u2019s associate professors and external teachers who may be artists, art theorists or have a specific expertise within the field of arts. Workshops and courses are normally based around themes relating to artistic theory and practice. A workshop or course may focus on work production in relation to a specific topic and\/or focus on various artistic and technical methods.<\/p>\n

Workshops and courses may have a limited participant capacity. In the case of overbooked workshops or courses, students are not guaranteed a spot. Workshops and courses may be obligatory or optional. It is only possible to take classes, courses and workshops amounting to a maximum of 30 credits per semester.<\/p>\n

Workshops and courses are based on both teaching and active participation. A workshop or course usually lasts 3-5 days, either consecutive or spread across a longer period.<\/p>\n

2024<\/strong>
\nRehearsing identities<\/em> by Filip Vest
\nM – A – T – E – R – I – A – L – E – R<\/em> by Birke Gorm
\nProcess before process<\/em> by Jason Dodge
\nM\u00f8rkekammerkursus – analog fotografi<\/em> by Mathias Rude at Art Museum Brandts
\nGrafisk Kursus i \u00c6tsning<\/em> by Trine Anderschou at Funen Graphic Workshop
\nUndervisning p\u00e5 Sct. Knuds Gymnasium<\/em> by Mikkel Carl
\nArt Theory<\/em> by Lise Margrethe J\u00f8rgensen
\nArt in Context<\/em> by Peter van der Meijden
\nOverwriting Reality \u2013 Scriptbased Performance Course<\/em> by Monia Sander Haj-Mohamed
\nDigitale kunstpraksisser \u2013 med fokus p\u00e5 ideologien, diskursen og kritikken omkring kryptokultur<\/em> by Ditte Ejlerskov
\nKunst i offentlige rum: Polymeren<\/em> by Morten Kamper Jacobsen
\nOm Tegning<\/em> by Stense Andrea Lind-Valdan
\nKunst i praksis \u2013 kunst, liv og penge<\/em> by Pauline Koffi Vandet among others
\n\u2028Svejsekursus<\/em> at AMU Svejsev\u00e6rksted
\nAIRBRUSH \u2013 en introduktion<\/em> by Kristoffer Akselbo
\nKunst i offentlige rum: Cykelsti p\u00e5 Bladstrupvej<\/em> by Mikkel Carl
\nScale 1:5<\/em> by Sofie Thorsen<\/p>\n

2023<\/strong>
\nFeministiske filosofier og kunstteorier<\/em>\u00a0by Kristine Kern
\nInstitutional Archives and Artist\u2019s Forms<\/em>\u00a0by Yvette Brackman
\nJag hittar en stol<\/em>\u00a0by Anne-Mette Schultz
\nDage om Maleri <\/em>byKinga Bartis, Jesper Christiansen and Jeppe Priess Gersb\u00f8ll
\nEksperimenterende linoleumstryk<\/em>\u00a0by Hardy Ernst at Funen Graphic Workshop
\nSt\u00f8bekursus<\/em>\u00a0by Siska Katrine J\u00f8rgensen
\nM\u00f8rkekammer og analogt fotografi<\/em>\u00a0byMathias Rude at Art Museum Brandts
\nEn dag om enkle metoder til bogbinding<\/em>\u00a0by \u00c5se Eg J\u00f8rgensen
\nScale 1:5<\/em>\u00a0by Sofie Thorsen
\nTr\u00e6kursus<\/em>\u00a0by Rasmus Rosenberg Jensen
\nPraktik: Undervisning i billedkunst UngOdense (Ungdomsskolen i Odense) <\/em>by Gitte Skovmand.
\nIntroduktion til kunstteori<\/em>\u00a0by Dominique Routhier
\nHvem er odalisken? Hvem er jeg? Og hvem er du egentlig?<\/em>\u00a0by Lina Hashim
\nUnconventional exhibition formats and curating beyond the white cube<\/em>\u00a0by Anna Frost
\nKursus, Overskrift, Metode og Arbejde<\/em>\u00a0by Lone Haugaard Madsen
\nFotogravure<\/em>\u00a0by Teresa Larsen
\nEksperimenterende linoleumstryk og collografi-teknikker<\/em>\u00a0by Hardy Ernst and Line Eskestad at Funen Graphic Workshop
\nSt\u00f8bekursus<\/em>\u00a0by Siska Katrine J\u00f8rgensen
\nKunst i praksis \u2013 kunst og penge<\/em>\u00a0by Jonathan Kvium, Klaus Pedersen, Mikkel Carl and Kristine Kern<\/p>\n

2022<\/strong>
\nWorkshop<\/em>\u00a0Vinyl Terror & Horror by Greta Christensen and Camilla S\u00f8rensen
\nDocumenting Your Artwork \/ Building a Portfolio<\/em>\u00a0by Morten K. Jacobsen
\nThe Intangible Qualities of Moving Images<\/em>\u00a0by Deniz Eroglu
\nKonceptkunst<\/em>\u00a0by J\u00f8rgen Michaelsen
\nSvejsning<\/em>\u00a0by Anders Qvist p\u00e5 Hollufgaard
\nSerigrafi<\/em>\u00a0by Begitte Lynge Andersen at The Hollufgaard Estate
\nTr\u00e6workshop<\/em>\u00a0by Niels-Erik H. v. \u00d8hlenschl\u00e6ger at The Hollufgaard Estate
\nArt in Context,\u00a0<\/em>Peter van der Meijden
\nTekstil <\/em>by Gudrun Hasle at The Culture Machine
\nKunstnerisk arbejde (introduktion til kunstteori) <\/em>by\u00a0Dominique Routhier
\nImmanent Computer-Assisted Art Production<\/em>\u00a0by Ivan P\u00e9rard
\n5 Dage om Maleri<\/em>\u00a0by Kinga Bartis, Claus Carstensen, Ahmad Siyar Qasimi, Marianne Gr\u00f8nnov and Torben Ribe
\nDFK x Heartland – a site specific project for Heartland Festival 2022<\/em>\u00a0by Ditte Knus T\u00f8nnesen
\nStenhugning,\u00a0<\/em>Freja Niemann Lundrup at The Hollufgaard Estate
\nTr\u00e6snit<\/em>\u00a0by Jens Bohr at Funen Graphic Workshop
\nCroquis <\/em>by\u00a0Dan Jensen
\nProjektledelse og fundraising: skriftlighed og administrativ (selv)ledelse i det professionelle kunstnerliv<\/em>\u00a0by Trine Rytter Andersen<\/p>\n

2021
\n<\/strong>IMPACT! – low on the environment, high on artistic intentions<\/em>, Jette Hye Jin Mortensen
\nSculpture and its resources,<\/em> Laura Canha Malpique
\nArt Criticism<\/i>, Trine Rytter Andersen
\nWeaving<\/em>, Amalie Smith, Nanna D. Buhl, Sofie H. M\u00f8ller
\nWelding,<\/em> Anders Qvist
\nCopperprint<\/em>, Aziz Pour<\/strong>
\nDFK x Heartland <\/em>by\u00a0Ditte Knus T\u00f8nnesen
\n(re)generative praksisser, lokale forandringer og fremtidens f\u00e6llesskaber<\/em> by Ida Bencke
\nThe Human Interface<\/em> af Jens Settergren
\nArtist talks \u2013 Painting, performance, photography, installation, video, light, text<\/em> by Lone Haugaard Madsen, Ida S\u00f8nder Thorhauge, Lina Hashim, Nat Bloch Gregersen, Jesper Just, Jeanette Ehlers
\nPrintmaking<\/em> by Wieslaw Dabrowski
\nWelding<\/em> by Christian Bang Jensen<\/p>\n

2020
\n<\/strong>Art Theatre<\/em> by Maria Hesselager and Mathias Dyhr
\nThe Art of Nordic Colonialism<\/em> by Mathias Danbolt, Anna Vestergaard J\u00f8rgensen, Emil Elg, Bart Pushaw, Nina Cramer
\nOn Tech-Art by Ida Kvetny og Diana Velasco
\nOpslag \/ Notice<\/em> af Marie Lund
\nThe Invisible<\/i> by Rune S\u00f8chting
\nOn the Picture<\/em> by Fie Norsker
\nBasic Tool Workshop<\/em>, S\u00f8ren Assenholt
\nExhibition practice \u2013 Temporary Art in Public Space<\/em> by Iben Elmstr\u00f6m
\nVideo Art<\/em> by Amalie Smith
\nSilk Screen Printing<\/em> by Begitte Lynge Andersen
\nArt Critique<\/em> by Jeppe Ugelvig
\nMaterials and Techniques within Painting<\/em> by Johannes Sivertsen<\/p>\n

2019
\n<\/strong>Art Criticism<\/em>, Jeppe Ugelvig
\n<\/strong>Artistic Practice,<\/em> Lone Haugaard Madsen, Jane Jin Kaisen, Mathias og Mathias, Karoline Larsen
\n<\/strong>Practice on Painting<\/em>, Ahmad Siyar Qasimi
\n<\/strong>Spirit dancing as a reaction to failed revolutions \u2013 on art, politics and occultism from the modern age to the future and contemporary<\/em>, Kasper Opstrup
\n<\/strong>Practice on 3D and Digital Based Works<\/em>, Jesper Carlsen
\nAbout Paintings<\/em>, Svend Danielsen, Magnus Andersen and Anna Fro Vodder
\nConversation<\/em> by Stine Marie Jacobsen
\nCeramics<\/em> Tommerup Teglv\u00e6rksted by Per Ahlman
\nArtist Writing<\/em> by Jeppe Ugelvig<\/p>\n

2018<\/strong>
\nPhotography<\/i> by Nicolai Howalt
\nMaterial Sculpture<\/em>\u00a0by Per Kapper
\nDramaturgi, Fort\u00e6llingen fra id\u00e9 til udf\u00f8relse<\/em>\u00a0by Jokum Rohde
\nEksorsisme – Radikal Heksekunst<\/em>, Part Deux by Mathias Kryger
\nAppearance\/Apparel<\/em>\u00a0by Rasmus R\u00f8hling
\nProgrammable Matters<\/em>\u00a0by Anders Visti
\nFlesh and Fruity<\/em>\u00a0by Kah Bee Chow
\nTraining our minds to go alien<\/em>\u00a0by Anastasia Sosunova
\nWriting Workshop<\/em>\u00a0by Ida Marie Hede Bertelsen
\nThe Artist Talk as Performat<\/em>\u00a0by Kasia Fudakowski
\nWorkshop<\/em>\u00a0by Heine Kj\u00e6rgaard Klausen
\nWorkshop<\/em>\u00a0by Evren Tekinoktay<\/p>\n

2017
\n<\/strong>“Katalysatoren” – et l\u00e6restykke<\/em> by Yvette Brackman
\nEksorsisme – Radikal Heksekunst<\/em> by Mathias Kryger
\nUden for<\/em>\u00a0by Marie Lund
\n3D Sculpture<\/em> by Frank Fenris Jensen
\nCroquis \/ Life Drawing<\/em> by Dan Jensen
\nTexts and\/as Tools in the Process of Perception<\/em>\u00a0by J\u00f3hannes Dagsson
\nUshering in Banality<\/em> by Rasmus R\u00f8hling
\nThe Gaze and the Image of Oneself<\/em> by Kristine Kemp
\nBodies Without Organs<\/em> by Mathias Kryger<\/p>\n

2016
\n<\/strong>Plaster course <\/em>by Erling Tingk\u00e6r
\nLithography course <\/em>by Wieslaw Dabrowski
\n3D Printing <\/em>by Michael Angelo
\nWoodcut by <\/em>Oscar Erik Yran and Dina Lundvall Nielsen
\nXerox Lithography <\/em>by Anne Marie Frank
\nSchool Paper\/Magazine\/News report\/Journal\/Tabloid<\/em>\u00a0by Magnus Thierfelder and Carl Lindh
\nThree excursion days and one talk<\/em>\u00a0by Kristine Kemp and Conny Svabo
\nThe civic imaginary workshop<\/em>\u00a0by Jeuno JE Kim, Brandon Labelle, Nils Norman and Raul Keller
\n<\/strong>Complicating the curatorial<\/em> with\u00a0Jenny Richards
\n<\/strong>Writing Workshop<\/em> with Ida Marie Hede Bertelsen
\n<\/strong>Curiosity must be tamed: The fate of interest<\/em> with Guston-Sondin Kung
\nGroup Work<\/em>\u00a0by Ed Webb Ingall & Rehane Zaman
\nWorkshop<\/em>\u00a0by Heine Kj\u00e6rgaard Klausen<\/p>\n

2015
\n<\/strong>Death<\/em>\u00a0with Marie K\u00f8lb\u00e6k Iversen
\nDiscoverers\u00a0in painting<\/em>\u00a0with Viktor Rosdahl
\nProgram, or be programmed<\/em>\u00a0with Kristoffer \u00d8rum
\nSpirit, Sleep and Revolution \u2013 a workshop on automatism<\/em>\u00a0with Kristine Kemp
\nConcrete cocktails and their ilks (- 4 writing sessions)<\/em>\u00a0with Ana-Maria Hadji-Culea
\nWorking Conditions<\/em>\u00a0with Emma Hedditch
\nWhere are your questions?<\/em>\u00a0with Sidsel Meineche Hansen & Tom Vandeputte
\nProject: Body Building<\/em>\u00a0with Jeuno JE Kim & Torsten B\u00f8gh Thomsen<\/p>\n

2014
\n<\/strong>Camera People<\/em>\u00a0with Madeleine Bernstorff
\nOur collective memory \u2013 right here, right now<\/em>\u00a0with \u00c5sa Elz\u00e9n
\nDepartment for Business Innovation & Skills<\/em>\u00a0with Ellie Harrison
\nThe voice as technology<\/em>\u00a0with Kristine Kemp
\nGetting Serious About Humour<\/em>\u00a0with Kristoffer \u00d8rum
\nPolitical Dramaturgy: What and how do we see when we see?<\/em>\u00a0with Jeuno JE Kim
\nThe Making of Marks <\/em>with\u00a0Niamh O’Malley
\nEpisode of Everything<\/em>\u00a0with Rose English
\n<\/em>Shame <\/em>with\u00a0Mary Coble
\nMonument, Democracy & Site <\/em>with\u00a0Kristoffer \u00d8rum
\nThe Necessary Distance: Personal and Public Narratives<\/em>\u00a0with Jeuno JE Kim
\nBody in Space \/ Space of the Body<\/em>\u00a0with Al Masson<\/p>\n

2013<\/strong>
\nReality Fictions<\/em>\u00a0with Ilya Lipkin
\nYou (and your practice)<\/em>\u00a0with Sidsel Meineche Hansen
\nSite Specific Installation as Radical Transformation<\/em>\u00a0with Mary Coble
\nArtists Roles<\/em>\u00a0with Kristoffer \u00d8rum
\nDrawing in the Expanded Field<\/em>\u00a0with Daniel Milan
\nFirst Person Immersion – What Can We Learn From Roleplaying As a Medium?<\/em>\u00a0with Kristoffer \u00d8rum & Kristoffer Thuroe
\nPolitical Depression<\/em>\u00a0with Mathias Danbolt and Ask Katzeff
\nTaking leaps and other acts: from observations to propositions<\/em>\u00a0with Christine W\u00fcrmell
\nThe Artist as Historian: Politics of History in Contemporary Art<\/em>\u00a0with Mathias Danbolt and Jane Jin Kaisen
\nThe Coastline Paradox: Map Verses Territory<\/em>\u00a0with Elizabeth McTernan<\/p>\n

2012<\/strong>
\nAnimating a Performing Archive<\/em> at Roskilde Museum of Contemporary Art with Mary Coble and Judith Schwarzbart
\nDark Matter: The Politics and Practice of Art in Urban Spaces <\/em>with Mary Coble
\nDigital Hauntings: Video, Sound, Collaboration and Affective Technologies<\/em> with Bonnie Fortune
\ndOCUMENTA<\/em> with Tue Greenfort, Jens Haaning and Merete Jankowski
\nInternational Photography Triennial<\/em> with Mary Coble
\nIt is Just a Thought, It is Just a Thought – 4 Days in the Nervous System<\/em> with Lea Porsager
\nSelf-Publishing<\/em> with David Blamey and Stine Hebert
\nSolid, Liquid, Gas (Ice experienced)<\/em> with Tue Greenfort
\nUncreative Writing<\/em> with Kristoffer \u00d8rum and Lene Asp<\/p>\n

2011<\/strong>
\nArt and its Languages<\/em> with Tove Storck and Stine Hebert
\nLandscape I<\/em> with Tue Greenfort
\nLandscape II<\/em> with Tue Greenfort and Lise Skou
\nNon-Traditional Photography<\/em> with Mary Coble
\nPerformance in Practice Part 2<\/em> with Mary Coble
\n(((Radio FAA)))<\/em> with Jakob Jakobsen
\nRe-Reading Odense<\/em> with Kristoffer \u00d8rum
\nSalon salon<\/em> with Gudrun Hasle
\nSecurity First<\/em> with Oreet Ashery, Mark Harvey and Johanne Blomqvist
\nThe City<\/em> with Shuruq Harb
\nThe Hole in the Ground<\/em> with Jens Haaning
\nTowards Conceptual Improvisation with Mattin Orra<\/p>\n

2010<\/strong>
\nAlternative Histories in Odense<\/em> with Jakob Jakobsen
\nNomad as Art<\/em> with The Friendly Falcons
\nOn Artist Writings<\/em> with Aleksander Komarov
\nPerformance in Practice Part 1<\/em> with Mary Coble
\nSculpture<\/em> with Maiken Bent
\nSpace Struggles \u2013 Collective Actions, Imagination and The New Role of Artists in the Urban Field<\/em> with Christoph Sch\u00e4fer
\nRetten i Odense<\/em> with Jakob Jakobsen<\/p>\n

2009<\/strong>
\nArt in Context<\/em> with Kristine Kern and Sanne Kofod Olsen
\nColor Lithography<\/em> with Odense Graphic Workshop
\nDo It<\/em> with Kristine Kern and Sanne Kofod Olsen
\nImage Politics<\/em> with Jakob Jakobsen
\nPainting<\/em> with Mette Winckelmann
\nPlaque Process<\/em> with Chris Jones
\nMapping the real \u2013 Insight into Modern European Suburbs and Their Inhabitants<\/em> with Lasse Lau and Lise Skou
\nMimeses<\/em> with Gene Ray
\nMusic \u2013 Sound \u2013 Visual Art<\/em> with Michael M\u00f8rholt
\nPrinted Matter \u2013 A Productive Workshop<\/em> with Mette Winckelmann
\nRobot-workshop<\/em> with Esbjerg Music Conservatory
\nSelf-Publishing<\/em> with Kristian Ask
\nSousveillance<\/em> with Jakob Jakobsen
\nThree Days For a Small Production in a Medium Free Choice in the Range of: Video, Photography, Sound or Text-Based Work<\/em> with Wendelin van Oldenborgh
\nVideo Art:<\/em> An Introduction with Maryam Jafri<\/p>\n

2008
\n<\/strong>ADAMS<\/em> with Martin Damgaard and Adam Bergholm
\nAdobe CS<\/em> with Anja Bjerremand
\nArchive\/Database\/Bank About Collecting and Sorting the Content of Media and Materials<\/em> with Mette Winckelmann
\nAssertation on Reality<\/em> with Sonja Lilleb\u00e6k Christensen
\nBasic Black\/White Lithography<\/em> with Odense Graphic Workshop
\nHow can I say we are here? Performance and Cinema<\/em> with Ian White
\nHow to Write Artists Text<\/em> with Kristine Kern
\nPainting<\/em> with Morten Buch
\nPractice in Contemporary Art<\/em> with Sanne Kofod
\nSpace and Organization of Artist Studios<\/em> with Jescho Fether
\n6808 International<\/em> with Jakob Jakobsen
\nWorkshop with Sheriff El-Azmar<\/p>\n

2007<\/strong>
\nArt Pedagogy beyond Bologna<\/em> with Jakob Jakobsen and Stephan Dillimuth
\nCommercialized Disobedience<\/em> with Jan Danebod
\nHistorical Painting<\/em> with Anette Abrahamsson
\nHow to Write an Artist Statement, Press Release and Application<\/em> with Kristine Kern and Sanne Kofod Olsen
\nMass Culture, Subcultural Identity and Alterity<\/em> with Michael Baers
\nMaschin Raum \u2013 a biennale for video art an digital culture<\/em> with Jakob Jakobsen
\nPerformance\/Performativity<\/em> with Sanne Kofod Olsen
\nRevolt and the Urban Space \u2013 Barricades and Street Fighting From the Paris Commune to Today<\/em> with Jakob Jakobsen and Mikkel Bolt
\nThe Academy as a Dramatised Field<\/em> with Stephan Dillimuth
\nZapatista Media<\/em> with Fran Illich
\nWorkshop with Irene Hohenb\u00fcchler<\/p>\n

2006<\/strong>
\nConceptual Art<\/em> with Michael Baers
\nContemporary Drawing<\/em> with Image of the Middel East
\nEtching, Printing, Monotype<\/em> with Odense Graphic Workshop
\nFinal Cut Pro<\/em> with Rico Feldfoss
\n“Klartext” Writing Workshop on Genres and Constructive Criticism<\/em> with Kim Johannesen
\nLecture on Color<\/em> with Lena Hilbertsdottir, Henrik Bo\u00ebtius and Lars Bukdahl
\nPainting<\/em> with Anette Abrahamsson
\nPainting<\/em> with Sarah Staton
\nPainting<\/em> with Tal R
\nPerformance as Contemporary Art Practice with Asmina Ranjitt Performing in Everyday Life: On Body and Performativity, On Signs and Differences<\/em> with Bent N\u00f8rgaard and Susanne Ravn
\nTv Tv<\/em> with Anja Franke and Susan Hinnum
\nWorkshop with Brett Bloom
\nWorkshop with David Malkolvic<\/p>\n

2005<\/strong>
\nCasting<\/em> with Peter Scherfig
\nOperative Drawings<\/em> with Michael Baers
\nPicture Analysis<\/em> with Lars Bent Petersen
\nSite Specificity<\/em> with Morten Gold
\nSparwasser HQ<\/em> with Lars Bent Petersen
\nVideo Portrait<\/em> with Marit Lindberg
\nVideo Editing with Jeanette Schou
\nWorkshop with Lou Sherinet<\/p>\n

 <\/p>\n

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As part of the study programme, Funen Art Academy offers a number of workshops and courses throughout the year. These are run by the school\u2019s associate professors and external teachers who may be artists, art theorists or have a specific expertise within the field of arts. Workshops and courses are normally based around themes relating […]<\/p>\n","protected":false},"author":104,"featured_media":0,"parent":382,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2967","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/pages\/2967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/comments?post=2967"}],"version-history":[{"count":3,"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/pages\/2967\/revisions"}],"predecessor-version":[{"id":16416,"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/pages\/2967\/revisions\/16416"}],"up":[{"embeddable":true,"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/pages\/382"}],"wp:attachment":[{"href":"https:\/\/detfynskekunstakademi.dk\/en\/wp-json\/wp\/v2\/media?parent=2967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}